Parable of the Sower

Going into the Opera, I did not know what to expect since I have never been to an opera before. I was also curious to see how the book would be translated into this type of performance. I was immediately impressed with the strong vocals from the cast. I got chills the minute they started singing because of how good they all were. I also thought it was interesting how the stage was set up. The semi-circle set up of the benches made it so the audience felt part of their world. Besides that, there was also the white fabric hanging from the ceiling and some colorful art on the projector in the background. Since the main focus was the songs and the message of the songs, I thought for the most part the songs were really well done. They kept me engaged and made me experience the story in a unique way. I especially loved when the songs were a little bit more rock. I felt a stronger emotional connection with the text since I was hearing it be sung out loud with strong, captivating emotion.

Though at the start of the performance they had my complete attention, by the middle of the performance they did start to lose me. The space we were in was pretty packed. I felt like there wasn't much room to move around. Additionally, I really needed a break to just gather myself. The song Toshi performed in the middle of the show felt like a small break from everything else though it did relate with the major themes of the show.

Comments

Politics and Theatrics

This post will focus on the correlations between politics and theater. Augusto Boal makes it a point to highlight how theater is political which makes me question: is politics is theater? Boal believes that by nature humans are political and since theater is a result of human activities it too is political. Politics and theater tend to portray different messages to society. For example, theater is not generally taken as seriously by people in society while politics is taken very seriously and impacts all people. Elections, voting, and media portrayals are all outlets in which politics is performed. If politics is a form of theater, then politicians would be the ones performing the theatrics. During the 2020 presidential debates between Donald Trump and President Biden, many people tuned in to hear out the political perspectives hashed out in real time. Eventually, as the debate continued the audience quickly realized that it was turning into a political spectacle based on ho...

Las Hijas de Violencia and Pussy Riot - Bella Blog Post #3

One thing that stuck with me from this week's reading was Las Hijas de Violencia. It reminded me of the forum theatre we did on Wednesday. More specifically, the power of confrontation against the oppressor. I think a lot of the time, they(oppressors) don't expect such a reaction which gives the oppressed a sort of power. I also think the use of the confetti gun instead of a violent weapon. In this way, the oppressed doesn’t become the oppressor through gaining their freedom. Then the addition of the song adds another element of surprise. The use of punk amplifies the harasser looking ridiculous as mentioned. They're bringing active energy to the problem of street harassment. I think their movement works because it makes noise and not just audibly. The article mentions taking inspiration from Pussy Riot. They are a Russian feminist protest and performance group that performs guerilla gigs of punk rock music in public places. They wear neon balaclavas and acid-bright tigh...

El Teatro Campesino - Will Blog 2

Yolanda Broyles-González's article "El Teatro Campesino and the Mexican Popular Performance Tradition" looks at the development and significance of the El Teatro Campesino theater company founded in the 1960s to support the United Farm Workers movement. Broyles-González argues that El Teatro Campesino draws on a long history of Mexican popular performance traditions like carnival and religious pageantry, as well as European avant-garde theater techniques. She examines how El Teatro Campesino's performances incorporated elements of these traditions, such as satire, physical comedy, and music, to engage audiences and create a sense of community. Broyles-González also explores how the theater company's performances challenged dominant cultural narratives and offered a vision of social change that centered the experiences and struggles of Chicano farm workers. A quote that resonated with me was that "the real language of African theatre is to be found in the stru...

Performance for Social Change

Search This Blog