Skip to main content

Storytelling in Health Care- Miriam

    One thing that stuck out to me in the reading was how community-based performance was described and how powerful of a tool it can be. I think being able to do work within a community allows the community to thrive and flourish. I see storytelling as a very intimate and personal mode of art or communication. I found it interesting how "the source of community-based performance is not the singular artist but a 'community' constituted by virtue of a shared primary identity based in place, ethnicity, class, race, sexual preference, profession, circumstances, or political orientation"(2, Cruz). I think it is fitting that the artists or artist are only guiding and working closely with the community to create their work. The community is still in control. Something that seemed important was how "community-based performance has become both about building and reflecting community in recognition of the fluidity and multiplicity of identities" (4, Cruz). This relationship between identities and how it plays a role in community-based performance can be seen in this community storytelling project conducted int he UK in response to "the unequal uptake of COVID-19 vaccine amongst ethnic minority communities" as stated by the article "Community Storytelling; Disruptive Thinking on Community Engagement". There was a clear mistrust between these communities and doctors/health officials in general. This mistrust was understandable considering how minorities have often not cared about their health so why would they all of the sudden care now. As the article, "Community Storytelling; Disruptive Thinking on Community Engagement" said, "But we can learn from other disciplines including the arts, where it has been argues that the only way of dealing with historical trauma is to honour its memory, rather than avoiding it." This then led the Grand Challenge of Cultural Understanding to fund a research project to use using digital storytelling to highlight the stories of ethnic minority communities. These digital stories are a short video consisting of a blend of photos, drawings, videos, or animations. There is also "an audio recording of a scripted story told by the participant." This project is incredibly useful because it allows these community members to bring forth how they have been done wrong by the health officials. Linked is the article and a video titled "Digital Divide- Community Storytelling"

Community storytelling: disruptive thinking on community engagement

Digital Divide- Community Storytelling



Comments

Popular posts from this blog

Politics and Theatrics

 This post will focus on the correlations between politics and theater. Augusto Boal makes it a point to highlight how theater is political which makes me question: is politics is theater? Boal believes that by nature humans are political and since theater is a result of human activities it too is political. Politics and theater tend to portray different messages to society. For example, theater is not generally taken as seriously by people in society while politics is taken very seriously and impacts all people. Elections, voting, and media portrayals are all outlets in which politics is performed. If politics is a form of theater, then politicians would be the ones performing the theatrics.  During the 2020 presidential debates between Donald Trump and President Biden, many people tuned in to hear out the political perspectives hashed out in real time. Eventually, as the debate continued the audience quickly realized that it was turning into a political spectacle based on ho...

Las Hijas de Violencia and Pussy Riot - Bella Blog Post #3

  One thing that stuck with me from this week's reading was Las Hijas de Violencia. It reminded me of the forum theatre we did on Wednesday. More specifically, the power of confrontation against the oppressor. I think a lot of the time, they(oppressors) don't expect such a reaction which gives the oppressed a sort of power. I also think the use of the confetti gun instead of a violent weapon. In this way, the oppressed doesn’t become the oppressor through gaining their freedom. Then the addition of the song adds another element of surprise. The use of punk amplifies the harasser looking ridiculous as mentioned. They're bringing active energy to the problem of street harassment. I think their movement works because it makes noise and not just audibly.  The article mentions taking inspiration from Pussy Riot. They are a Russian feminist protest and performance group that performs guerilla gigs of punk rock music in public places. They wear neon balaclavas and acid-bright tigh...

El Teatro Campesino - Will Blog 2

Yolanda Broyles-González's article "El Teatro Campesino and the Mexican Popular Performance Tradition" looks at the development and significance of the El Teatro Campesino theater company founded in the 1960s to support the United Farm Workers movement. Broyles-González argues that El Teatro Campesino draws on a long history of Mexican popular performance traditions like carnival and religious pageantry, as well as European avant-garde theater techniques. She examines how El Teatro Campesino's performances incorporated elements of these traditions, such as satire, physical comedy, and music, to engage audiences and create a sense of community. Broyles-González also explores how the theater company's performances challenged dominant cultural narratives and offered a vision of social change that centered the experiences and struggles of Chicano farm workers. A quote that resonated with me was that "the real language of African theatre is to be found in the stru...